Publishing your novel
April 11th, 2012Those who read my website (www.davidlindsley.info) know that I have had three novels published (you can read summaries and extracts on the website). People often tell me that “they have a book inside them”, and ask for advice because there are so many options open to them these days. So here goes!
At one time in the distant past, there were just two options open to would-be writers: self-publishing (otherwise known as vanity publishing), or working through a proper mainstream publisher. The former seemed to offer a simple way of overcoming the enormous difficulties of getting accepted by a mainstream publisher. In many cases, the latter route entailed getting your work accepted by an agent first, because many publishers simply won’t accept submissions from new writers, and always insist on working through an agent. By doing this they are effectively using the agents to filter out the gold from the dross - or the good from the rubbish.
And there is a lot of rubbish out there! Vanity publisher often praised anything submitted to them, telling would-be authors how wonderful their work was, and often offering to help improve the work to make it more marketable. And most vanity publishers were very adept at separating writers from their money!
Then, along came “print on demand” or PoD. Made possible by the availability of modern computers and typesetting machines, PoD offered an apparently easy way into becoming a published author: you wrote your book, uploaded it to the publisher as a Word document (or something similar), and they would produce nicely printed books with pretty glossy covers, available to anybody who wanted to buy them. Up to that point, no money changed hands: the publishers made their money by selling copies.
PoD publishers offered all sorts of services: you could use one of their ready-made cover designs for nothing, but having a design made to your specific requirements cost money. Also, if you wanted your books to appear in bookshops or via on-line retailers you had to buy distribution services, which included the acquisition of the all-important ISBN, the number used by stores and retailers to order your book for their customers. You could also buy marketing services.
As with most things in life, marketing is vital. If you don’t have it done for you by a professional you have to do it all yourself. Among other things, this means buying copies of your book to give away to newspapers and magazines. Make no mistake, doing this will almost certainly lead to your book ending up in the “slush pile” - the literary editor of a national daily newspaper told me that she gets about 40 books a day to review! Unless you can offer something really compelling or special you have little or no chance of having your book reviewed.
And as for getting great mountains of books onto the display tables of a bookseller requires enormous resources - loads of dosh!
So if you self-publish your book via the PoD route you have to spend hours of time, loads of money and much sheer, hard, slogging effort to market it.
Anyway, now to my own experiences. My first novel was “Far Point” and it was about the adventures of an engineer in China. I was lucky enough to fine an excellent agent on my first try. She worked hard to make it marketable and the end result was very different indeed from the first draft that I had sent her. In spite of this, the first couple of publishers she sent it to rejected it.
She told me not to worry: this was entirely usual. Unfortunately I was impatient. I’d read about PoD and decided to follow that route. The agent was unwilling to support me in this. (She was obviously very clued-up in the books business and knew the snags). So I had to go it alone, and I sent it to Lulu.com, who did a super job. I persuaded an artist friend to do a painting for the front cover and I designed and laid out the book myself.
I got a few reviews - mostly good, but many picking out the torrid sex scenes for special mention! - but still there are copies of “Far Point” mouldering in newspaper and TV slush piles all over the place! But then I got lucky, I heard that a group of major engineering institutions in the UK was organising a competition to find writers who could portray engineers in a good light - the profession had a poor image in the public’s eye and recruitment for engineers was bad. My book was short-listed and in the end won a special prize.
So now, with the title of “Prize-winning Author” under my belt, I set off to write a sequel. This was picked up by the first publisher I sent it to and “The Darkfall Switch” began to appear in bookstores and libraries. What’s more, the publisher offered me a three-book agreement, meaning that I had to submit my next two novels to them for “first refusal”.
Further emboldened, I wrote my third book - “Blind to Danger”. And then came disappointment: my publisher wouldn’t accept the book - it was “too long and the setting was far beyond the comfort-zone of their readers”.
But I was confident that the book had merit, so I sent it to a PoD publisher. This time I was seduced by a new PoD publisher called “Create Space” who were working in close collaboration with Amazon. This way I could enter for a competition called the “Amazon Breakthrough Novel Award” (ABNA) with the prize of a publishing deal from Pan Books.
Create Space were OK, but I must say that I had found it easier to work through Lulu. (Anyway, I didn’t get past the first selection process of the ABNA contest.) For a start, Create Space suffers from a common failure to understand the the USA is only one country in a big, big world: they offered no publishing services outside the US. So, to get my book onto the Amazon list I had to buy copies from Create Space, have them shipped to the UK and then sell them via Amazon. Buying small quantities of the book meant that, as a percentage of the book cover-price, the shipping charges were enormous. Very few people would buy a paperback at much over £5-6, yet I had to set a selling price of over £12 if I wasn’t going to loose money on every sale.
To be fair, I think that Create Space have learned something since then, and are tackling the problem but, as it was, I wished I’d stayed with Lulu.
That’s quite enough for now. I’ll talk about the delights of ebooks on another occasion!